However, its real magic shines when loaded on bus tracks, especially the master bus. This is definitely the compressor on the list with the most tone. Music Business Program Sarah Schachner and Jesper Kyd on how they mixed modern techniques with ancient instruments for Assassin’s Creed Valhalla. Glue compressor includes the common parameters of a compressor, Threshold to activate compression, Ratio to adjust input levels vs. audio output, Attack so that compression reaches its maximum level quickly or relaxed, Release adjusts the time it ends. I have done some testing of my own comparing the Logic compressor modes to the Native Instruments Vintage Compressors (Softube made). The Logic compressor holds up really well and the different modes can sound much like the NI … It’s also the choice compressor for many of the world’s finest mix engineers such as Chris Lord-Alge, who religiously place’s his Red 3 on the mix bus. Logic Pro X Compressor Emulations Explained, Student Spotlight: Laura “Sippy” Patterson, 20 Best Saturation Plugins to Boost Your Music, What is Multiband Compression and Why You Need It, 10 Best Limiter Plugins for Mixing and Mastering, 10 Best Delay Plugins for Music Production. Saturation, analog vibe, mix glue – these are all hot topics in digital audio. They each suggest that there's something you need for your Logic mixes that isn't already there. That way we can process them as a whole. Apply subtle transparent compression or push it hard to introduce sizzling overdrive that sounds amazing on bass, drums, and guitars. Additionally, the design of the unit went through numerous changes over the decades. For over 50 years the Teletronix LA-2A has been revered for its smooth, natural, musical compression. Vintage Opto has some personality. The release time ought to follow the groove, so the compressor breathes naturally, following the rhythm of the music. The Rev E “Blackface” revision earned the “LN” (Low Noise) badge after UREI’s Brad Plunkett lowered the noise level, increased linearity, and made other changes. The compressors tight and fast response makes it a perfect tool for crushing groups and buses or injecting subtle fatness to everything from guitars to vocals. Distortion is the key to Compressor’s analog goodness. The 1176 also has a very distinctive sound even when it is not compressing because of its unique circuitry. Famed for lending its character and punch to some of the greatest recordings in history, the 1176 has become an essential tool found in nearly every professional studio. But Logic has all the vibe you need to glue your mixes together. EMAIL. ... Prized by top engineers for its ability to “glue together” tracks, the SSL G Bus Compressor is ideal for adding punch to drums and percussion or taming piano dynamics. Home » ICON Music Blog » Logic Pro X Compressor Emulations Explained. The new Logic Pro X Compressor features six analog circuit types that emulate legendary hardware compressors. ICON Collective is a Los Angeles and Online college of music that teaches you core technical skills while unlocking your unique creative process. The Rev H “Silverface” revision retains much of the signature sound from its predecessors. Top artists, engineers, and producers prize its ability to work its magic on anything you throw at it. Mark Cousins demonstrates the dynamic dexterity of the Compressor plug-in… One of the most useful improvements included with the release of Logic Pro X 10.1 has been the redesigned Compressor plug-in, arguably one of the most important plug-ins in Logic’s arsenal of software outboard effects. Check out these 4 options: Although the Studio VCA sounds transparent, you can give your sounds more analog vibe with distortion control. It’s lightning-fast attack and release times are ideal for taming drums, enhancing bass or guitars, and making vocals shine. The Glue is an analog modeled compressor plug-in based on The classic 80's British big console buss compressor with some handy additional features. Do note that if your compressor features an automatic rele… The original SSL Bus Compressor has a very simple and functional layout, making it easy to quickly dial in a sound. Based on the renowned master bus center compressor of the SSL 4000 G console, the SSL G Bus Compressor excels at making mixes bigger, more powerful, and punchy, while also enhancing cohesion and clarity. As this is a higher sound, we can add some chorus to increase the width. It doesn’t have … The Red 3 is a dual mono/stereo compressor/limiter that hit the markets in 1994. The Studio VCA is an emulation of the Focusrite Red 3 Dual Compressor/Limiter. Universal Audio founder Bill Putnam Sr. later purchased this patented technology and continued to manufacture the LA-2A until 1969. A very low ratio, somewhere between 1.5:1 to 2:1, tops, since you're goal here is not to actually compress the signal 2. Distortion. Also, try loading this model on an aux track and driving sounds through it to apply parallel compression. 16: On the bass buss, we’ve added a brightening EQ, subtle drive, tight room reverb and high frequency widening, and on the kick buss some brightening EQ, gentle compression and a little drive. With a revised GUI as part of Logic Pro X 10.1, the Compressor has never been easier to use. Considered to be the “Holy Grail” bus compressor, the SSL G has transformed the music recording industry since its introduction in the ’80s. Furthermore, the Platinum Digital works great on just about any sound. Undecided, How would you prefer we contact you? Renowned for lending its character and punch to some of the greatest recordings in history, the 1176 is a favorite among producers and engineers. Logic expert Alex Holmes concludes the latest tutorial with a look at using busses, compression and glue… 13: To add a simple top layer, we duplicated the sub track, then made some tweaks to the sound to make a brighter and more interesting version. But the real analog fun starts a little deeper into Compressor: 1. Prized by top engineers for its ability to “glue together” tracks, the SSL G Bus Compressor is ideal for adding punch to drums and percussion or taming piano dynamics. Teletronix founder Jim Lawrence first used photocells for controlling audio gain in an innovative way. Use the Classic VCA to inject a warm and grainy punch to your sounds. Time to peer deep at the shifting sonic textures presented by the aptly-named Kaleidoscopes. The first revision represented a breakthrough in limiter technology because it was the first true peak limiter to feature all-transistor circuitry and ultra-fast FET gain reduction. It features a single-VCA design to achieve high quality and truly independent compression and limiting. The Vintage FET model emulates the UREI 1176 Rev H “Silverface” Compressor/Limiter. Both compression and limiting also offer peak response rather than averaging RMS which ensures a superb transient response. This guide breaks down each of the different emulations as well as offers insight into why their hardware counterparts are so revered. Moreover, it’s simple control set, and sonic appeal makes it the most famed tube compressor ever made. Logic Pro X Compressor. A long attack time, to avoid deteriorating the peaks 3. The 1176 also has a very distinctive sound even when it is not compressing because of its unique circuitry. But Logic has all the vibe you need to glue your mixes together. Both are excellent compressors. This week we'll look into a side effect of compression that's beneficial, as long as you use it wisely. We take a look inside the Spanish techno artists humble abode. The best way to get the glue effect on several tracks is to send them all to a group track on which you should insert a compressor with the following settings: 1. To this day, it remains among Focusrite’s most prosperous and recognizable hardware products. Ableton Live 9 Standard and Live 9 Suite come with the Glue Compressor, a new device modeled on a popular vintage bus compressor from the 1980s, known for "gluing" the mix together. You can always unsubscribe (so you won't receive any more e-mails) by clicking on the unsubscribe link at the bottom of each e-mail. The first revision represented a breakthrough in limiter technology because it was the first true peak limiter to feature all-transistor circuitry and ultra-fast FET gain reduction. Music theory isn’t the be-all and end-all of becoming a great producer, but a little knowledge can help. Complex but really nice, and very handy to use in the Drums bus. Mix with the entire Beatport catalogue on virtual decks. There is also a distortion option to add some grit whenever you want the precision of a digital compressor and color of analog hardware. The Classic VCA model emulates the DBX 160 line of compressors/limiters. These new cans, courtesy of German manufacturer HEDD, might just represent a more forensic way to monitor our mixes.