I/O to the unit is through balanced XLR connectors. SSL have evidently applied great skill and intelligence to produce this elegant and effective ‘colouring’ tool, which is equally well suited to mastering, mix-bus processing, and applying polish to in-the-box projects. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. The new SSL Fusion is a 2U rack mounted processor containing 5 stages or circuits of gorgeous analogue processing. It’s only a slight exaggeration to say that SSL is largely responsible for the sound of recorded music from the 1980s onward. The Fusion doesn’t do quite as much and isn’t quite as flexible as the Drawmer, but it is significantly easier and much faster to use, and it does all the important things in a subjectively nicer, smoother and, yes, a more ‘analogue’ way. SSL also offers straight-up microphone preamps and signal processors housed in traditional 19″ rack mount units as well as 500 Series modules. Both trim controls have over‑sized, centre‑detented knobs with a ±12dB range, and a pair of tri‑colour LEDs indicate the signal levels. Some will want to use it with a DAW as an external analogue processor, using spare I/O on their audio interface to allow its use on individual tracks, stereo stems, or final stereo mixes. Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor. View Similar Amazon US. It can be argued that SSL’s single greatest accomplishment lies in the field of console EQ. The intention is for the Fusion to be used for mastering or stereo mix‑bus processing, whether hooked up to a console or to your DAW and audio interface. More details from SSL (www.solidstatelogic.com): Just two years after its launch at AES in 2018, Solid State Logic’s Fusion […] This is my second favorite feature after the Drive section, and just like with Drive, a little bit goes a long way. The debate over which EQ is better: the Black or the Brown, resulted in most modern SSL consoles offering a choice of both! permission of Solid State Logic, Oxford, OX5 1RU, England. 6dB. Easy to use and possessed with a broad throw of tonal sweetening capabilities, this is a very impressive piece. Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor. As a device for introducing ‘stereo analogue colour’, the Fusion hits the mark very nicely indeed. Vintage Drive can absolutely deliver overloaded analog circuit-style saturation if you want it. Yes No Receive mail from us on behalf of our trusted partners or sponsors? In addition to their legendary large format consoles, over the past decade SSL has been catering to the growing project studio market, launching tabletop products such as the compact X-desk and the even smaller SiX mixer (announced March 2019). Vintage Drive is an addictive process. Fusion’s HF Compressor section is not your typical bus compressor. The two sections offer a sensibly restrained gain range of ±9dB. On Logic's Stereo Out with the Fusion bypassed the peak level was hitting -6db and the LUFS meter was hitting -18. A mains inlet on the rear, with on/off switch for the internal linear power supply, accepts 115 or 230 Volts AC. Re: One Synth Challenge V - The Filter Strikes Back! ... Don't miss the latest deals, news, reviews, features and tutorials. Relay clicks are heard when buttons are pressed, but all of the internal signal‑path switching is actually performed with solid‑state devices. You may login with either your assigned username or your e-mail address. This adjusts a Sides‑only low‑frequency EQ, as used long ago by Alan Blumlein and later by EMI as part of a ‘Stereo Shuffling’ technique. It can be argued that SSL’s single greatest accomplishment lies in the field of console EQ. The noise floor measured a touch over ‑90dBu, giving a dynamic range of around 117dB (which matches the performance of most high‑end converters), and the crosstalk at 20kHz was exceptional (around 110dB). SSL R&D unveil Fusion's secret 6th … The design builds on SSL’s extensive experience, of course, but while the stereo input and output trim and high‑pass filter stages are familiar enough, there’s no repurposing of ‘legacy’ circuitry. OXFORD, UK – Two years after Solid State Logic launched its five-color Fusion outboard processor at AES in 2018, SSL is unveiling a sixth color, already present in Fusion: a full-band LMC processor with wet/dry control. A master bypass control for all processes is available with two modes: bypass all, and bypass everything after the input level control. Note: there is no make up gain control. external hardware into the process chain, such as the famed “Magic Box” SSL XLogic G Series bus compressor. The sound is gentle overall, but Violet can still add a fair amount of low thump and glorious air. The insertion point can be placed pre-Violet EQ or post-HF Compressor, and it can also be set for MS use. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. In use, HF Compressor works great for taking, The last full section on SSL Fusion is Stereo Image. Configuring the insert for M‑S operation allows you to use an external single‑channel signal processor to manipulate just the centre (Mid) or edges (Sides) of the stereo image — a very versatile and powerful means of polishing and finessing a mix. In today’s world of increasingly in-the-box work, SSL Fusion checks all the right boxes for adding analog mojo to your master bus. Bypass button provided. A combination of high Drive and very low Density settings seems to produce a kind of dynamic expansion, which can be useful for emphasising transients in already compressed sources. Again, this is a two-control, bypassable section that uses mid-side (MS) processing to alter the perceived width and depth of your tracks. PreSonus StudioLive 32SC Series III Mixing Console. The views expressed are those of the contributors and not necessarily those of the publishers. All connections are made on the backside of the unit, where there are two pairs of balanced XLR I/O connectors.